2 Best Tony Gilroy Monologues

The Devil's Advocate (John Milton)

The Devil’s Advocate (John Milton)

Category: Movie Role: John Milton From: The Devil's Advocate

Who are you carrying all those bricks for anyway? God? Is that it? God? Well, I tell ya, let me give you a little inside information about God. God likes to watch. He’s a prankster. Think about it. He gives man instincts. He gives you this extraordinary gift and then what does He do? I swear, for His own amusement, His own private cosmic gag reel, He sets the rules in opposition. It’s the goof of all time. Look, but don’t touch. Touch, but don’t taste. Taste, don’t swallow. And while you’re jumpin’ from one foot to the next, what is He doin’? He’s laughin’ His sick, fuckin’ ass off. He’s a tight-ass. He’s a sadist. He’s an absentee landlord. Worship that? Never! … Why not? I’m here on the ground with my nose in it since the whole thing began! I’ve nurtured every sensation man has been inspired to have! I cared about what he wanted and I never judged him. Why? Because I never rejected him, in spite of all his imperfections! I’m a fan of man! I’m a humanist. Maybe the last humanist. Who, in their right mind, Kevin, could possibly deny the 20th century was entirely mine? All of it, Kevin! All of it! Mine! I’m peaking, Kevin. It’s my time now. It’s our time.

Michael Clayton (Arthur Edens)

Michael Clayton (Arthur Edens)

Category: Movie Role: Arthur Edens From: Michael Clayton

Michael. Dear Michael. Of course it’s you. Who else could they send? Who else could be trusted? And I know it’s a long way and you’re ready to go to work, all I’m saying is wait, just wait. Just just just please, hear me out, because this is not an episode, relapse, fuck up. It’s, I’m begging you Michael, I’m begging you. Try to make believe this is not just madness because this is not just madness. Two weeks ago, I came out of the building okay, I’m running across sixth avenue, there’s a car waiting, I got exactly 38 minutes to get to the airport and I’m dictating. There’s this panicked associate sprinting along beside me, scribbling in a notepad and suddenly she starts screaming and I realize we’re standing in the middle of the street, the lights change and there’s this wall of traffic, serious traffic spinning towards us and I freeze. I can’t move. And I’m suddenly consumed with the overwhelming sensation that I’m covered with some sort of film. And it’s in my hair, my face. It’s like a glaze, like a coating. At first I thought, my God, I know what this is, this is some sort of amniotic, embryonic fluid. I’m drenched in afterbirth. I’ve bridged the chrysalis. I’ve been reborn. But then the traffic, this stampede, the cars , the trucks, the horns, the screaming and I’m thinking, no no no, reset, this is not rebirth. This is some kind of giddy illusion of renewal that happens in the final moment before death. And then I realize no no no, this is completely wrong because I look back at the building and I had the most stunning moment of clarity. I, I, I realized, Michael, that I had emerged not through the doors of Kenner, Bach & Ledeen, not through the portals of our vast and powerful law firm, but from the asshole of an organism whose sole function is to excrete the poison, the amyl, the defoliant necessary for other larger more powerful organisms to destroy the miracle of humanity and that I had been coated in this patina of shit for the best part of my life. The scent of it and the stain of it, will in all likelihood take the rest of my life to undo. And you know what I did? I took a deep cleansing breath and I set that notion aside. I tabled it. I said to myself as clear as this may be, as potent a feeling as this, as true a thing as I believe that I have witnessed today, it must wait, it must stand the test of time, and Michael, the time is now.