7 Best The Seagull Monologues

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The Seagull (Arkadina)

Category: Play Role: Arkadina From: The Seagull

Arkadina says

Now it appears that he has produced a masterpiece, if you please! I suppose it was not meant to amuse us at all, but that he arranged the performance and fumigated us with sulphur to demonstrate to us how plays should be written, and what is worth acting. I am tired of him. No one could stand his constant thrusts and sallies. He is a wilful, egotistic boy. Is that so? I notice, though, that he did not choose an ordinary play, but forced his decadent trash on us. I am willing to listen to any raving, so long as it is not meant seriously, but in showing us this, he pretended to be introducing us to a new form of art, and inaugurating a new era. In my opinion, there was nothing new about it, it was simply an exhibition of bad temper. Let him write as he feels and can, but let him spare me his nonsense.

The Seagull (Arkadina)

Category: Play Role: Arkadina From: The Seagull

Arkadina says

Am I then so old and ugly already that you can talk to me like this without any shame about another woman? Oh, you have lost your senses! My splendid, my glorious friend, my love for you is the last chapter of my life. You are my pride, my joy, my light. I could never endure it should you desert me, if only for an hour; I should go mad. Oh, my wonder, my marvel, my king! Let them come! I am not ashamed of my love. My jewel! My despair! You want to do a foolish thing, but I don’t want you to do it. I shan’t let you do it! You are mine, you are mine! This forehead is mine, these eyes are mine, this silky hair is mine. All your being is mine. You are so clever, so wise, the first of all living writers; you are the only hope of your country. You are so fresh, so simple, so deeply humourous. You can bring out every feature of a man or of a landscape in a single line, and your characters live and breathe. Do you think that these words are but the incense of flattery? Do you think I am not speaking the truth? Come, look into my eyes; look deep; do you find lies there? No, you see that I alone know how to treasure you. I alone tell you the truth. Oh, my very dear, you will go with me? You will? You will not forsake me?

The Seagull (Konstantin Gavrilovich Treplyov)

The Seagull (Konstantin Gavrilovich Treplyov)

Category: Play Role: Konstantin Gavrilovich Treplyov From: The Seagull

She loves me, she loves me not; she loves me, she loves me not; she loves me, she loves me not. You see? My mother doesn’t love me. Of course not! She wants to live, to love, to wear bright dresses, and here I am, twenty-five years old, a constant reminder that she is no longer young. When I’m not there, she’s only thirty-two, but when I am, she’s forty-three – and for that, she hates me. Besides, she knows I don’t accept the theatre. She loves the theatre, she thinks she is serving humanity and the sacred cause of art, while in my opinion, the theatre of today is hidebound and conventional. When the curtain goes up, and, in a room with three walls and artificial light, those great geniuses, those priests of holy art, show me how people eat, drink, love, walk about, and wear their jackets; when from those banal scenes and phrases they try to fish out a moral – some little moral that is easily grasped and suitable for domestic use; when, in a thousand variations, I am served the same thing over and over and over again – then I flee, as Maupassant fled from the Eiffel Tower, which made his brain reel with vulgarity.

The Seagull (Masha)

Category: Play Role: Masha From: The Seagull

Masha says

I am telling you all these things because you write books and they may be useful to you. I tell you honestly, I should not have lived another day if he had wounded himself fatally. Yet I am courageous; I have decided to tear this love of mine out of my heart the roots. marrying Medviedenko. Oh, if you knew what it is to love without hope for years and years, to wait for ever for something that will never come! I shall not marry for love, but marriage will at least be a change, and will bring new cares to deaden the memories of the past. Shall we have another drink? Don’t look at me with that expression on your face. Women drink oftener than you imagine, but most of them do it in secret, and not openly, as I do. They do indeed, and it is always either vodka or brandy. To your good health! You are so easy to get on with that I am sorry to see you go.

The Seagull (Nina Mikhailovna Zarechnaya)

The Seagull (Nina Mikhailovna Zarechnaya)

Category: Play Role: Nina Mikhailovna Zarechnaya From: The Seagull

Men and lions, eagles and partridges, antlered deer, geese, spiders, the silent fishes dwelling in the water, star-fish and tiny creatures invisible to the eye-these and every form of life, ay, every form of life, have ended their melancholy round and become extinct. . . . Thousands of centuries have passed since this earth bore any living being on its bosom. All in vain does yon pale moon light her lamp. No longer do the cranes wake and cry in the meadows; the hum of the cockchafers is silent in the linden groves. All is cold, cold, cold. Empty, empty, empty. Terrible, terrible, terrible. [A pause] The bodies of living beings have vanished into dust; the Eternal Matter has converted them into stones, into water, into clouds; and all their spirits are merged in one. I am that spirit, the universal spirit of the world. In me is the spirit of Alexander the Great, of Caesar, of Shakespeare, of Napoleon, and the meanest of the leeches. In me the consciousness of men is merged with the instinct of animals; I remember everything, everything, everything, and in myself relive each individual life. I am alone. Once in a hundred years I open my lips to speak, and my voice echoes sadly in this emptiness and no one hears. . . . You too, pale fires, you hear me not. . . . The corruption of the marsh engenders you towards morning, and you wander till the dawn, but without thought, without will, without throb of life. Fearing lest life should arise in you, the father of Eternal Matter, the Devil, effects in you, as in stones and water, a perpetual mutation of atoms; you change unceasingly. In all the universe spirit alone remains constant and unchanging. [A pause] Like a captive flung into a deep empty well, I know not where I am nor what awaits me. One thing only is revealed to me, that in the cruel and stubborn struggle with the Devil, the principle of material forces, it is fated that I shall be victorious; and thereafter, spirit and matter are to merge together in exquisite harmony and the reign of Universal Will is to begin. But that cannot be till, little by little, after a long, long series of centuries, the moon, the shining dog-star and the earth are turned to dust. . . . Till then there shall be horror and desolation. . . . Behold, my mighty antagonist, the Devil, approaches. I see his awful, blood-red eyes .

The Seagull (Nina)

Category: Play Role: Nina From: The Seagull

Nina says

Why do you say that you have kissed the ground I walked on? You should kill me rather. I am so tired. If I could only rest -rest. I am a sea-gull -no -no, I am an actress. He is there too. Ah, well -no matter. He does not believe in the theatre; he used to laugh at my dreams, so that little little I became down-hearted and ceased to believe in it too. Then came all the cares of love, the continual anxiety about my little one, so that I soon grew trivial and spiritless, and played my parts without meaning. I never knew what to do with my hands, and I could not walk properly or control my voice. You cannot imagine the state of mind of one who knows as he goes through a play how terribly badly he is acting. I am a sea-gull -no -no, that is not what I meant to say. Do you remember how you shot a seagull once? A man chanced to pass that way and destroyed it out of idleness. That is an idea for a short story, but it is not what I meant to say.

(She passes her hand across her forehead)

What was I saying? Oh, yes, the stage. I have changed now. Now I am a real actress. I act with joy, with exaltation, I am intoxicated it, and feel that I am superb. I have been walking and walking, and thinking and thinking, ever since I have been here, and I feel the strength of my spirit growing in me every day. I know now, I understand at last, Constantine, that for us, whether we write or act, it is not the honour and glory of which I have dreamt that is important, it is the strength to endure. One must know how to bear one’s cross, and one must have faith. I believe, and so do not suffer so much, and when I think of my calling I do not fear life.

The Seagull (Nina)

Category: Play Role: Nina From: The Seagull

Nina says

How strange to see a famous actress weeping, and for such a trifle! Is it not strange, too, that a famous author should sit fishing all day? He is the idol of the public, the papers are full of him, his photograph is for sale everywhere, his works have been translated into many foreign languages, and yet he is overjoyed if he catches a couple of minnows. I always thought famous people were distant and proud; I thought they despised the common crowd which exalts riches and birth, and avenged themselves on it dazzling it with the inextinguishable honour and glory of their fame. But here I see them weeping and playing cards and flying into passions like everybody else.